4. Cabaret: “Willkommen”
Set in Berlin toward the end of the Weimar era, Cabaret and Babylon Berlin are rich with scenes from the clubs and nightlife of the city. Both are based on fictional texts that portray events from the perspective of young people trying to find their way in the big city.
In this clip from the start of the movie, we see the club in full swing. Opening on the distorted reflection of the Emcee’s face, “Willkommen,” an introductory musical number literally welcomes the film’s viewers into the vibrant bawdiness of the club and city.
Pay close attention to the lyrics of the Emcee’s song in Cabaret.
- What is unique about the world inside the club?
- What does it mean to be welcomed here?
5. Babylon Berlin
Set in 1929, this hit series follows a detective on the search for clues to a mystery person’s identity. Set against the chaos of Berlin in the throes of regular street battles between communist factions and the city’s police force. In this scene, the crowd sings and dances along to “Zu Asche, zu Staub” (To ashes, to dust). This song’s refrain acknowledges the end of the party (and the end of life?) in flames and ashes, but notes that this moment is not yet upon them. In the meantime, the party goes on. The dangers of the future must wait just one more song, just one more night.
- What catches your attention in the clip from Babylon Berlin?
- What does the club offer, both concretely and metaphorically, to those who enter? Consider the lyrics of the song, translated below, in your answer.
To ashes, to dust
Robbed of light
But just not yet
Miracles wait until the endOcean of time
Eternal law
To ashes, to dust
To ashes
But not just yetTo ashes, to dust
Robbed of light
But just not yet
Wonders wait
But just not yet
Miracles wait until the endIt is only just a dream
Mere chasing after the wind
Who could tell for sure?The clock on your wall
It is filled with sand
Put your hand in mine
And let us forever beYou make your choice now
And throw us between pleasure and pain
But I can forgive youYou are so close to death
And yet your glance so clear
Recognize me, I am ready
And looking for immortality
Songwriters: Tom Tykwer / Mario Kamien / Nikko Weidemann
Translation: Richard Apgar
In both videos, the performance of the song is cut against scenes outside of the club.
- What contrasts are created in weaving the world outside of the club into the song?
- Reflect on these two scenes against the threat of violence present outside of the cabaret.
- After you’ve watched the clips from Cabaret and Babylon Berlin, what characteristics of Weimar Berlin’s nightlife are portrayed? How would you describe Berlin’s club scene?
- Briefly compare the two clubs. Which would you rather visit?
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